Alum r预测涨幅期货ed glaze, also known as "iron red glaze", is a kind of low-temperature red glaze with iron oxide as the main colorant, which is much easier than firing high-temperature copper red. Although it is not as pure and gorgeous as copper red, its color is stable. Alum red is the oldest glaze red color material in China. The red color of song Ding kiln and porcelain state kiln system have appeared. It was widely used as red color material in Ming and Qing Dynasties. Jingdezhen kiln mostly used alum red to match with various colors to depict dragon, Phoenix, flowers and other patterns, with fine painting. However, due to the different purity of raw materials, processing technology, barbecue temperature and other conditions, alum red presents a variety of colors. In Ming Dynasty, Zaohong was more popular, while in Qing Dynasty, brick red with orange flavor was more popular. To Kangxi, the alum red has made great progress, bright color, generally used for multicolored, fighting color painting patterns. After Jiaqing, the alum red color was not good, but it was a little better when Guangxu came.
Jingdezhen began to use alum red color decoration alone in Hongwu official kiln. After Hongwu, the white alum red color porcelain, as a traditional variety, has been burning. In the Qing Dynasty, Jingdezhen Royal kiln factory once made the red porcelain of Baidi alum as a main variety, which was continuously produced in the past dynasties, and its quality was better than that of the previous dynasties.
Holding pot, a kind of wine utensil. The earliest one was made of porcelain, which appeared in the middle Tang Dynasty and was called Zhuzi at that time. The Tang Dynasty holds the pot with a large belly, a bell mouth and a short mouth. The center of gravity of the pot is at the bottom. After the pot gradually thin and long, the center of gravity upward, from the Five Dynasties to the Song Dynasty, the pot is mostly melon ridge style, often used with the bowl. Since the Yuan Dynasty, the body of the holding pot has been in the shape of jade pot and spring bottle. The flow of the pot is curved and slender. Both Jingdezhen kiln and Longquan kiln have been fired. In the Ming and Qing Dynasties, the form did not change much, and there began to be holding pots of jade, enamel, gold and silver.
Qianlong reign for 60 years, when the Qing Dynasty was at its peak, its porcelain industry also reached its historical peak. The utensils are exquisite in shape, colorful in color, novel in design, colorful in mattress, large in output, well made, novel in technology, marvelous in craftsmanship of ghost axe and special in variety. Xu Zhiheng's "drinking Liuzhai and talking about porcelain" records that: " As far as Qianlong is concerned, it's extremely extravagant. It's so delicate that it's just a matter of craftsmanship... " Add ancient and modern porcelain origin research "record:" Qing porcelain to Qianlong and extremely prosperous, the number of utensils is also incomparable. "
During the Qianlong period, Jingdezhen imperial kiln changed from complicated to simple, simple and elegant style, in order to make a new breakthrough in color selection and decoration technology. This fanhong painted holding pot is one of the masterpieces. It's full-bodied, white and fine in texture, with gold covered on the mouth. It's a good metaphor. On one side of the pot, the landscape is painted inside, moving and lifelike. On the other side, it's poetic and elegant. The whole instrument has beautiful and elegant shape, elegant and delicate colors, vivid and bright charm, skillful and fluent painting skills, elegant and elegant fonts, neat and stretchable arrangement, clear contrast between poetry, calligraphy and painting, but it is also integrated. The artistic conception of literati is sparse, simple and light, which is fascinating and worthy of treasure.
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